Main
character – check
Love
interest – check
Antagonist
– check
Supporting
cast members – check, check and check
Tally up
the point of view (POV) characters – 5
This goes
against the 4 POV limit, but we’ll live.
Or most of us will live. By the
time I write the fourth chapter, I already know how one character eats it in
the end. So, technically, I’m dealing
with four characters and a walking corpse.
Keep writing.
Discover
that the walking corpse actually resembles a walking corpse on the page. He’s as dead as a red-shirted Star Trek
character. There’s no life to him, no
color and no reason for us to care about his death.
Edit.
Try to
force personality into the corpse, but find that the doomed character refuses
to cooperate. By heaven, he’ll be heard on his terms and not mine!
Take a
week off.
Get back
to work, pushing forward with the rough draft, and try to ignore the scent of
decay coming from the corpse in the corner.
(I might try spraying some Febreeze on him, but at this point he’s taken
to plucking his toes off like some gruesome rendition of; “She loves me, she
loves me not.” Which I find highly
disturbing, so I just try to pretend he’s not there.)
Nearing
the end of the draft, Point of View character number 3 gets hit by a flying
ax. Instantly dead, this character’s
abrupt transition into the Netherworld is tragically beautiful. The lack of his voice on the page is so
startling that I can’t write for the rest of the night.
The corpse
in the corner increases in stench exponentially. I find him playing dice with his rotten toes, smirking at me as
though to say; “So why did that character matter so much more than me?”
I toss and
turn in fitful sleep that night, my corpulent character looming at the foot of
the bed. He’s getting impatient now and
I can sense it. I’ve finally reached
his death scene, but find that the whole thing reeks of a setup.
Stop.
Beat my
head on my desk a few times. Complain
to my cat, who purrs and assumes that I want to drag a ball of yarn around for
him. I don’t, but I do anyway, all the
while glaring at the computer screen from across the living room.
Complain
to friend, who has come to the point in our relationship where she just smiles
and nods, hoping I won’t ask a question at the end of my crazy rant because
there’s no way she understands it. And
she’s lucky, because I already know the problem with my much-adored work in
progress. The truth is, I’ve known it
since chapter four, when I spied the death of this character.
I didn’t
care about the walking corpse because I knew the end of his story. I never explored his personality, his
tastes. I never saw the way he lingered
in the library, staring at the books with a longing that’s all too familiar to
me. He was dead before he got to live
on the page.
4 comments:
Welcome to Working Stiffs!
I think you nailed the problem with knowing a character is going to die. When we think they're disposable, we don't want to invest the time or energy into bringing them to life. The best deaths (in fiction, of course!) are the ones that not only take the reader by surprise, but the writer as well.
Welcome Aimee -- I enjoyed your post very much and am glad to know I'm not the only one with non-writer friends who just nod and smile when I rant!
Thank you so much for having me! I had a great deal of fun with this. This is actually true (minus the corpse, I do not keep corpses in the corner of my apartment) because my sequel to Sedition had several characters who died, two of them unexpectedly and one I had planned. I'll start editing it in August and try to fix the stale character.
And yes, I've got a wonderful friend who thinks I'm crazy but never says it out loud.
Hey, fellow Wingie, welcome to the Stiffs.
Multipal POV has Never been a problem for me unless the author doesn't show us the transition. As for the due-to-die guy, well I think he deserves a lot of attention. So lots of interesting characters is good. Nice blog.
Patg
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