By Martha Reed
I know I usually take advantage of this blog venue to post
something curious or silly but today I’d think it’s time that I stay on topic
and give back to the writing community. Last month I had an amazing opportunity
to work with five other writers in an intensive manuscript boot camp organized
by the very generous Nancy Martin. Let me tell you, it was tough. We read and
critiqued 200-250 pages of each other’s work each week plus Nancy gave us
helpful handouts to review at the end of each meeting and we discussed these,
too.
It was a terrific experience. I’m not the same writer I was
a month ago.
What I’d like to do now is to share some of the things I
learned.
In the past, when I started writing a new piece, I would
just free draft; let my creativity flow and take me wherever it wanted to go. I
plan to still do that because, frankly, that’s a lot of fun to let my
imagination fly.
The difference now is, and this is what I learned at boot
camp, is that I’m going to structure my editing process. Previously, I would
re-read my draft mss and remove any duplication or inconsistency. Now, I’m
going to sit down with my draft, outline each chapter on an index card and
build a chapter outline. Each chapter index card will delineate the character
for POV, the emotional issues or conflicts underlying that character, the next
step and the motivations for the character making that next step. I’m hoping
this will add emotional depth and using an outline should help me trim the
process time-wise.
When I first started out, and took formal classes for this
sort of thing, I dismissed “plotting” and “outlining” because they seemed too
structured, too formal to use. Now I see that they are useful tools when used
in their proper place. I wouldn’t want to use them in a draft, that would seem
too structured for my style and taste, but I see know that discounting them
altogether was a mistake. If you’re going to be a writer, you need to use all
the tools at hand.
I can already see the difference using a chapter outline is
going to make. When I applied it to my current mss, I was able to strip out
some unnecessary characters and sharpen the focus on the narrative question.
(We learned about that, too). This is going to help me distill the theme of my
story which should help hold the reader’s interest, and keeping the readers
turning the pages is exactly what I want to do.
2 comments:
Martha, I don't think any of us who participated is the same writer we were before.
I hate to admit it, but I'm still working on the same chapters I was bringing to the group! There was so much feedback that I never got to look at during the workshop. Now I'm going through it all and trying to apply what I've learned.
Sounds like a great time was had by all. Must be fun, living in Pittsburgh...!
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