As you read this, I’m on my way to sunny Saint Augustine, one of my favorite places in the whole world.
Saint Augustine is the oldest town in the US, founded in August 1565, forty-two years before Jamestown and fifty-five years before the pilgrims settled on Plymouth Rock. There’s so much history there—from the first free community of ex-slaves in the country, Fort Mose, and the Castillo de San Marco, to the Fountain of Youth and the Spanish Quarter. And that’s without even mentioning the ghosts. Or the beaches. Or the birds and dolphins and manatees. Or alligators.
I’ve always thought it would make a great setting for a series of books. I even went so far as to pitch a ghost story/mystery idea to my agent once. She picked another idea she wanted me to work on instead, but I haven’t forgotten about it. While I’m waiting for the time to be right, I’m enjoying Nancy Haddock’s vampire series, set in Saint Augustine. If you haven’t yet tried La Vida Vampire and the sequel, Last Vampire Standing, get thee to a bookshop. I intend to get Nancy to autograph me a copy while I’m on vacation, since she lives there.
Setting has always been a very important part of a book to me, both books I like to read and books I write. My favorite books aren’t set just anywhere, they’re set somewhere specific. If the locale changed, the book wouldn’t be the same. That’s the way it ought to be, I think. The setting becomes almost like a character, playing its own part in the story.
I’m partial to ‘real’ settings, with ‘real’ history attached to them. In the first book I wrote, A Cutthroat Business, the setting is East Nashville. I live here, and I wanted to write about what I know. I changed some of the street names, since I don’t want anyone to come knocking on my door to complain, but I know exactly where things are. Savannah’s apartment is on the corner of Fifth and Main, and I know what she’s looking at when she looks out her window in the morning. The decrepit house in the book—the one where the body is found—is based on this one, called the Ambrose House, in Historic East End. (I’ve been looking at for long enough to know what it looked like before someone sunk a million dollars into fixing it up. It's an events venue, and if it weren't so danged expensive, I might just have my release party there...)
Setting has always been a very important part of a book to me, both books I like to read and books I write. My favorite books aren’t set just anywhere, they’re set somewhere specific. If the locale changed, the book wouldn’t be the same. That’s the way it ought to be, I think. The setting becomes almost like a character, playing its own part in the story.
I’m partial to ‘real’ settings, with ‘real’ history attached to them. In the first book I wrote, A Cutthroat Business, the setting is East Nashville. I live here, and I wanted to write about what I know. I changed some of the street names, since I don’t want anyone to come knocking on my door to complain, but I know exactly where things are. Savannah’s apartment is on the corner of Fifth and Main, and I know what she’s looking at when she looks out her window in the morning. The decrepit house in the book—the one where the body is found—is based on this one, called the Ambrose House, in Historic East End. (I’ve been looking at for long enough to know what it looked like before someone sunk a million dollars into fixing it up. It's an events venue, and if it weren't so danged expensive, I might just have my release party there...) Waterfield, Maine, on the other hand—the setting for the DIY-books—is a fictional place. It’s located about 45 minutes up the road from Portland, on the coast, but it doesn’t exist. It’s more a conglomerate of every small town I’ve ever seen, with the landscape I grew up with. Dark pine trees and white birches, a craggy coast dotted with rocky islands, and a Main Street made up of turn-of-the-last-century Victorian commercial buildings. Waterfield’s history is the history of downeast Maine, and if Waterfield was located somewhere else, the series would be different.
While I enjoy reading about ‘real’ settings, though, some of the best locales out there are the fantasy kind. And I mean that literally. The Harry Potter books, with their alternate universe, away from prying muggle eyes. Tamora Pierce’s Pebbled Sea and the countries surrounding it, steeped in ambient magic. Lois McMaster Bujold’s Vorkosigan saga, taking place on planets like Barrayar and Komarr and Beta Colony and Jackson’s Whole. Or if sci-fi doesn’t count—the earth is mentioned once or twice, so it’s not technically fantasy, I guess—Lois McMaster Bujold’s Chalion series. Terry Pratchett’s Discworld. (Flat, carried on the backs of four elephants standing on the shell of a giant turtle, inhabited by dwarves and trolls, vampires and werewolves. And people. Strange people.)
So what about you? Do you care about setting? If you write, do you make setting an integral part of your work, or could your book be set anywhere and not really miss much by it? (That’s just fine, and works well for some types of books.) As a reader, does it matter to you where the book is set, or is one place pretty much like another? Do you have a favorite locale? Or a favorite author you think nails the setting for his/her books?
I’ll only be around in the morning today, so play nicely amongst yourselves, please, but I’ll check back over the weekend, in case there are any questions I have to answer.
Till next time!
While I enjoy reading about ‘real’ settings, though, some of the best locales out there are the fantasy kind. And I mean that literally. The Harry Potter books, with their alternate universe, away from prying muggle eyes. Tamora Pierce’s Pebbled Sea and the countries surrounding it, steeped in ambient magic. Lois McMaster Bujold’s Vorkosigan saga, taking place on planets like Barrayar and Komarr and Beta Colony and Jackson’s Whole. Or if sci-fi doesn’t count—the earth is mentioned once or twice, so it’s not technically fantasy, I guess—Lois McMaster Bujold’s Chalion series. Terry Pratchett’s Discworld. (Flat, carried on the backs of four elephants standing on the shell of a giant turtle, inhabited by dwarves and trolls, vampires and werewolves. And people. Strange people.)
So what about you? Do you care about setting? If you write, do you make setting an integral part of your work, or could your book be set anywhere and not really miss much by it? (That’s just fine, and works well for some types of books.) As a reader, does it matter to you where the book is set, or is one place pretty much like another? Do you have a favorite locale? Or a favorite author you think nails the setting for his/her books?
I’ll only be around in the morning today, so play nicely amongst yourselves, please, but I’ll check back over the weekend, in case there are any questions I have to answer.
Till next time!
