Sunday, July 06, 2008

Riding and Writing


by Brenda Roger



Cooking and cleaning
Washing and ironing
Pruning and weeding
Cutting and sewing
Wining and dining
Painting and decorating
Riding and writing
Perhaps the most unlikely pair,
But I will spend my summer there
In the saddle and in the chair.





I've decided to take a break from blogging. The exhibition to which I have been devoted for over a year, opened this weekend, and it seems like a good opportunity to take a much needed break from as many activities as possible.

Thank you for allowing me to participate, and for leaving such lively commments.

Friday, July 04, 2008

Good food, good friends, good times...

By Jennie Bentley

Happy 4th of July, y’all!

As most of you know, I spent a couple weeks in Norway at the beginning of the summer. Taking my kids to visit my dad, seeing family and friends, eating yummy local delicacies like salty licorice and vafler.

We cruised the fjord in a boat, visited one of the little islands that are part of the city of Oslo, splashed in the sea, checked out the Folk Museum and the Gustav Vigeland sculpture park and the Holmenkollen Ski Jump and Akershus Festning/Fortress – and on, and on, and on!

Pictures here.

And that’s all the writing I’m going to do today, because it’s the 4th of July, and I’m not expecting a whole lot of company here on the Working Stiffs this morning. Enjoy the holiday and the pictures, y’all, and I’ll see you next time!

Thursday, July 03, 2008

Noble Lies and the Perfect Martini

The Working Stiffs are delighted to host author Charles Benoit today. An insatiable traveler and occasional scuba diver, Charles continues his worldwide quest to find the perfect martini. Noble Lies is his third novel, following the Edgar-nominated Relative Danger and Out of Order.

Welcome, Charles!




First, thanks for inviting me over for the day. I’m a big fan of visiting new and exotic destinations and this blog site definitely qualifies.

My wife and I are busy making plans for our summer vacation. Well, that’s not accurate. She’s making the plans. In our family, Rose worries about the small details, like booking flights, paying bills, managing our investments and keeping the house maintained and standing. I worry about the big stuff. For example, did you know the sun will go into a Red Dwarf stage in less than 6 billion years? Is anyone doing anything about this?

Anyway, our trip—we’re off to Belize and I’m excited for a lot of reasons. We’ve never been to Central America (although we did live in Trinidad for a year and did a lot of island hopping), the scuba diving is legendary and there’ll be no Internet connections so that means no email or work or news updates to disturb us. But most exciting of all, Belize is the setting of Donald Westlake’s High Adventure.

Most people know Westlake as the author of the Dortmunder series. A smaller, more hard-boiled crowd knows he’s also the man behind the Parker books. The smallest crowd of all knows that he’s also the man behind a pair of outstanding adventure novels – Kahawa, set in Uganda, and High Adventure, set in Belize. It’s no exaggeration to say that these two books changed my life. Before I read them I hadn’t traveled outside of North America and the only fiction I had written were glowing comments on students’ report cards. These books changed everything for me. After I read them, I knew I had to get overseas and, for the first time in my life, I wanted to write. Not just any book, as if that weren’t enough. No, I had to write the kind of book I had read, a book with dashing (if at times floundering) heroes, exotic locations, beautiful, sultry, quick-witted women, and dangerous villains. I knew I wanted to write an adventure. But then I thought, shouldn’t you have one first?

So Rose and I set off to see the world, me in search of that adventure, her in search of the best poolside bar and Pad Thai Chicken. What I found is that the world I thought (hoped? dreamed?) existed wasn’t really there anymore. There were no tramp steamers pulling up to steamy ports, unloading cases of bootleg whiskey by moonlight as jungle monkeys chattered, and half-dressed vixens went shot for shot at the bar with square-jawed leading men in sweat-stained fedoras, while in the background Dooly Wilson’s grandkids played gin-soaked jazz on tinny pianos. And if there were, they weren’t on the tourist maps.

But the world I found was just as exotic, only in a different, semi-sanitized way. Sure, I didn’t meet any rum-running, cheroot-smoking drifters with a tale to tell about a wrinkled map and a lost treasure, but I did find salaried office workers in Jaipur who knew how to keep a 1974 Xerox copier working using parts they’d salvaged from a wrecked 2001 Tata sedan. I met shop owners in Bali who could get their hands on DVDs of movies that were still in production. I had drinks with an Egyptian crossword puzzle fanatic and Gene Autry fan in a “Hard Rick CafĂ©” in Syria the night before Ramadan started. And I watched the sun set in Grenada with a group of busboys dressed as pirates, overlooking a bay that once saw the skull and crossbones of Captain Morgan’s fleet. My world was different from the one Westlake wrote about, but I found my adventure. And I put it in my books.

I was introduced to Donald Westlake at the Edgar’s Award Banquet the year Relative Danger was nominated for Best First. I meant to tell him how much his books inspired me, how his writing changed the way I saw the world and shaped the way I told a story. What I ended up saying was, “er, uh…um…gosh…er, you’re…a…uh…”

I hope he understood.

Wednesday, July 02, 2008

Resting in Peace

By Annette Dashofy

Lately, in an effort to get into shape, I’ve been doing a lot of walking. Since the fields around my house are loaded with ticks, I find other places to stretch my legs. One of the most convenient spots is an old cemetery a few miles from my house. It’s quiet and mostly deserted except for the occasional deer. And many of my ancestors are buried there. I rather like the sense of calm.

Last week, on my stroll, I noticed a grave with several floral arrangements perched on the stone. One of the plastic vases had fallen over. There are other graves with upended tributes, but for some reason, I diverted from my path and knelt to straighten this particular one.


Besides the flowers, a pair of tiny ceramic angels flanked the marker, which was covered in pennies, nickels and dimes. The name and date on the flat granite slab sounded familiar, but it took a moment or two to sink in and then I remembered the story.


Seven-year-old Tausha Lee Lanham lived her sad, short life in Burgettstown, about five miles from my home. At birth, she weighed only 2 pounds and 5 ounces and she suffered an assortment of health problems. But the bulk of her suffering came at the hands of her mother, Michelle Sue Tharp.

Tausha weighed less than 12 pounds when she died several months shy of her eighth birthday. She had not eaten for days.

According to witnesses, Tausha’s mother kept food from the child for a day or more at a time. She did however feed the girl’s two siblings. Tausha would spend many nights confined to a room to prevent her from searching for any tidbit in the kitchen, where she sometimes ate from the garbage can. Other times she might forage scraps from the pet bowls.

CYS tried to help, but Michelle Tharp missed appointments and refused to open her door to them. When they did visit, Tharp hid Tausha out of sight.

One morning, nearly ten years ago, Tharp discovered Tausha’s dead body in her bed. Instead of reporting it (for fear of having her other children taken from her, she said), she put the body in her car seat and drove to her grandmother’s to call off work and to drop off laundry. She swung by a lake before stopping to buy garbage bags. Later, she and her boyfriend, Douglas Bittinger, wrapped Tausha’s tiny body in a sheet, placed it in a garbage bag, and left it atop a large bush in the woods of West Virginia. They then reported her missing from a mall in Steubenville, Ohio, where they said she’d gotten lost.

The jury at Tharp’s trial deliberated for less than three hours before returning a guilty verdict. She was sentenced to death and sits on death row at the State Correctional Institute of Muncy.

And there, the story should have ended. However, Michelle Tharp is now being featured on a website known as muncys3amigos, where she and two other inmates give their one-sided account of life behind bars. I would include a link, but the thought of pulling that site up makes me ill. But if you want to read a local account of the story, go here. It originates from London, England and the webmaster, Joanne Rayston heads an organization called Friends for Muncy Death Row, an anti-death-penalty group. At some point, the three women were moved to a different section of the prison. They complained that their new lodging was “loud, unsanitary, and simply miserable.”

Forgive me if I fail to feel pity for them. Especially Tharp.

As for Tausha, her grave, at least, is everything her mother’s accommodations are not. Quiet. Lovely. Peaceful. And from the looks of the flowers and angels, her final resting place is getting considerably more care than the child received in life.

Tuesday, July 01, 2008

Getting The Job Done

By Martha Reed

I have these fabulous vintage metal kitchen cabinets and the only excuse for keeping them is that I can use magnets to stick pictures and articles up all over them and make a sort of living inspirational collage.

Most of the pictures and articles are about artists and writers who say something particularly pertinent during an interview; something that strikes a chord with my current work in progress. Once a month I pour a big cup of coffee and I go through the collection and winnow them down and throw the old ones out but there are a couple that have been displayed so long the type has faded to gray and the highlighter has turned tan. The collage has even attracted certain notoriety among my friends who make a beeline for the cabinets whenever they come to visit to see what’s new.

I believe my cabinets have mutated into an exterior bulletin board for my ongoing internal dialogue.



Last weekend I added an article about Nantucket artist Joanna Kane. Joanna has the kind of striking face that makes you swear you knew her in college, but I don’t believe I’ve had the pleasure. She has just switched from painting decorative furniture to abstract canvas and I think what she says about painting can also apply to creative writing:

“To get to that surprise I need to walk in the dark for a while. I don’t know where the painting is going, and I have to be fine with that.”

That was one of the hardest initial writerly tools to learn, to trust yourself and your writing enough to follow it blindly. Remember that marvelous feeling? The A-ha! moment when your first draft finally knits together and the complete story is revealed?

“In art school they told us that we wouldn’t mature as an artist until we were 50, and I think they said that to weed out those of us who weren’t serious.” … “But I happen to believe it’s the truth. When you’re young you wait for the surge of energy to create something, but at my age you just work. You don’t wait for inspiration.”

I think you have to be middle-aged to truly appreciate this statement. Youth is too exuberant to appreciate the stamina of grinding the work out. And yet there is a beauty, a satisfaction in reaching the grind it out stage; I’ve eliminated the peaks and valleys of useless enthusiasm and just get down to work, every day. There’s no more nonsense, no more distraction, no wasted idle time. My desire to write and my energy level are in harmony to just get ‘er done. Nowadays, if I stay up all night or put in ten hours on a good day I get a text hangover; but if I stay with writing a little bit every day, strong and steady, it’s pretty amazing what can get accomplished over the course of a year.

Sunday, June 29, 2008

Getting Away With It

by Joyce Tremel

I wrote a flash fiction piece a few weeks ago in which the girl gets away with her crime. It had a nice twist in it, but it got me wondering whether it was the right thing to do. People who work in law enforcement don't like it much when the bad guy triumphs.

I know it happens on occasion, but we wish it didn't. I think that most people want the good guy to win. (Well, except for one guy I saw at Busch Gardens wearing a shirt that said "Warner Brothers--if you see a cop, warn a brother." My husband wouldn't let me say anything to the guy. I had to settle for The Look.)

In real life, there's no way the girl in my story would have gotten away with her crime, but in 1000 words you can get away with a lot. Not enough time for any investigation, forensics or what not. In real life, there would have been some evidence of her wrongdoing. A real detective would have seen right through the story of a teenager who hated her parents. If I had written a longer story, I think that's exactly what would have happened.

So, what do you guys think? Is it okay for the bad guy to win in fiction? Does the story length really have something to do with the outcome? Would you read a novel where the villain triumphs?

Saturday, June 28, 2008

A Reason for Dying

I hope nobody minds, but my buddy and yours, Wilfred the Author, sent me this this morning, and I couldn't resist sharing. It's a Saturday and pretty quiet around the Working Stiffs clubhouse, so I thought it might be OK...




Wilfred says:
At long last. My dream has finally come true. A Reason For Dying is available for purchase.

I’m still waiting for my copy to arrive in the mail, but I couldn’t wait to share this with you all. It has been 3 ½ years from start to finish. One long road.

I want to thank everybody that helped me through this crazy ride and everybody who put up listening to me talk about it for hours on end.

If you’re interested, here are a few ways to buy it.

Barnes & Noble.com

Amazon.com

Hilliard & Harris.com


Is the natural gas you use to heat your home and cook your food really safe?
Is it possible that viruses ravaged prehistoric life millions of years ago and lie dormant in oil and gas reserves, waiting to be released once again to lay waste to yet another species?
It has happened before.
Is it about to happen again?


Congratulations, Will! It looks awesome!

Thursday, June 26, 2008

Research Jungle/ Creative Black Hole

by Kathie Shoop

How do you know if you've gone astray in the research jungle, foraging for endless supplies of teeny details that will never matter to your characters or plot?

I sort of feel like I've stumbled into library/internet quicksand and am losing sight of what I'm actually doing as I dig deeper into all the information that lives in the world, right at my fingertips.

Part of my problem is that I have no "spare" time this summer. Meaning, between consulting and the articles that are due and my children being home from school, there is very little time for my mind to rest, to weave the disparate facts of my library forays into my story, to surprise me with unexpected connections and meaningful ways to use boring historical facts...

I've got nothing.

I'm trying not to panic. I'm slowing down, lowering my expectations for the summer, trusting that if I just have fun with the kids and live in the moment, my fictional life will not suffer, that it will spin its own web and pop up, ready to go in September.

Of course, there's a big part of me that doesn't trust that, that fears if I lay low I'll wake up in September and wonder how I stopped being a writer.

So, I'll trust and do little tidbits of work when I can, culling through info, knowing that somehow it will all come together.

How about you, do you ever have these pockets of time where your creativity is truly hampered, or at least it feels that way? How do you deal with it?

Spousal Support



by Michelle Gagnon

Last week I attended a library event with two other authors. One of them, the lovely and talented Penny Warner, had her husband in tow. He not only carried her box of books, he worked the crowd during the dinner portion of the evening, handled the money as she sold books, and generally behaved as one of the best publicists I’ve ever seen. He was charming, enthusiastic, and even managed a smile when his wife joked that while her hero had, “The mind of a poet and the body of a construction worker, her husband had the body of a poet and mind of a construction worker.”
I went up to Penny afterwards and asked which husband catalogue she shopped from.
I lurk on a number of listservs, and periodically there will be a thread where writers either applaud or bemoan the level of support they get from their spouses. I fall into the latter category, sadly. While my husband has many fine qualities, he’s completely in the dark as to what I’m doing with my writing career. In fact, he’s only read one of my books so far. That’s right, one out of three. And that was because we were trapped in a cabin in Hawaii with no television, in a steady downpour, and he’d already exhausted the bathroom reader. So when I read someone’s post claiming that their partner is their first and best editor, my jaw drops. When spouses show up at conventions, I’m in shock. My husband managed to make it to my book release party last year, but I suspect the promise of wine and hors d’oeuvres factored strongly into that decision.

Part of me thinks that he’s deliberately avoiding my books, afraid that he’ll see himself or our life mirrored in the characters. Despite regular reassurances that I have not killed off anyone resembling him (not yet, at least), he remains resistant. I’m not sure why. It couldn’t be the length of the books, it’s certainly not as if I wrote War and Peace. Or the subject matter: if I was writing treatises on the mores of Victorian Women, sure, I could understand his reluctance. But I write thrillers, page turners. I’ve had friends finish my books during a single plane flight.
Of course, I knew at the outset of our relationship that he was not much of a fiction reader to begin with. He’s an action guy, someone who would much rather putter around his boat or work on his motorcycle than settle in with a book. And when he does read, he prefers historical texts about ancient Rome or the Celts.
And as I said, he’s extremely supportive in other ways. He minds the house and family when I travel for events or conferences. His paycheck insulates us against the whimsical nature of my royalties and book advances. He’s willing to listen to the occasional gripes about the publishing industry, even if he doesn’t know enough about the field to offer advice. And there are definitely times that I’m happy we’re not both writers. For one thing, we’d probably be living in a cardboard box under a bridge right now. And for another, it forces me out of the insular world that’s created when a person works alone in a room day after day.

But do I occasionally wish that I had a Mr. Penny Warner? Sure. If nothing else, it would be great to have someone haul those books around for me, especially if he remembered to bring change (I never do). And I have hatched a plan. Our next vacation will be to Kauai, during Hawaii’s rainy season. I’ll have both of my books on hand. And this time I’m hiding the bathroom reader.
So I’m curious: how much spousal support do you get? On a scale of 1 to 10, I’m giving my husband a 5. Where does your partner stand? (Feel free to post anonymously J)



Michelle Gagnon is a former modern dancer, bartender, dog walker, model, personal trainer, and Russian supper club performer. Her debut thriller THE TUNNELS was an IMBA bestseller. Her next book, BONEYARD, depicts a cat and mouse game between dueling serial killers. In her spare time she runs errands and wonders why it always rains on her vacations. Sign up for her newsletter at www.michellegagnon.com to enter drawings for an Amazon Kindle, iPod Shuffle, Starbucks gift certificates, or other fabulous prizes.

Wednesday, June 25, 2008

Shots Fired

By Annette Dashofy

I’m sitting here staring at a blank page as I ponder a topic for this blog. Do I write about some of the interesting locations we have around here for cheap summer vacations now that gas prices have taken away the joy of travel planning? Do I write about the death this weekend of one of my all time favorite comedians, George Carlin? Now there was a man who could make me laugh each and every time I saw him. I’ve been watching some of his routines on You Tube and thinking that some of the stuff is dated. I mean, was fart really one of the seven words you couldn’t say on TV? Is it still? I don’t think so. Seems to me they say it several times each episode of Two and a Half Men. In case you haven’t ever actually heard that routine, feel free to click here. But be forewarned, this is not the bleeped version. If you don’t want to hear the words, don’t follow the link.

I also considered writing about a recent bout of graffiti in little old Canonsburg where a gang of kids went around spray painting nemesis on cars and houses. Do we need to bring Pittsburgh’s graffiti squad out here to Washington County??? And nemesis? Why do I think these morons just learned a new word and are showing off to the world?

I started scanning other blogs, hoping to mine ideas. Hey, if you can’t come up with an original one, steal one from someone else.

But then divine intervention struck in the form of gunshots. I’ve been hearing a lot of them lately. What makes this blog worthy (or at least, I hope it is) is the fact that I’ve been paying absolutely no attention to them. I just assume someone got a new gun and is out playing with it. Around here, surrounded by acres of pasture and woodlands, guys don’t need to go to a firing range or sportsmen’s club to sight in a new rifle. They just step outside. Not that they DON’T go to the sportsmen’s club. That’s a big social thing. But they don’t NEED to.

Somehow, I suspect that if you heard this kind of gunfire in the city, you’d be thinking the cops should be involved. Drive-by shooting? Domestic disturbance?

And then there are the war-torn cities where bursts of gunfire may have become old hat, although anything but benign.

A couple years ago, I attended a funeral for a close family member. The graveside service included full military rites. A friend of mine was holding onto me, trying to be supportive. But when they fired the twenty-one gun salute, she about jumped out of her skin. I never so much as twitched.

Which then leads to our writing. What kind of background does you protagonist have? If she heard a gunshot, would she flinch? Seek cover? Never bat an eye?

What about you? How do you react to the crack of a gunshot? And how much does your personal background affect that reaction?

Tuesday, June 24, 2008

It's All in the Details

By Mike Crawmer

Monday morning’s commute took me past a bus shelter in one of the city’s transition neighborhoods. Walking toward the shelter was a kid, maybe 17, 18 years old, wearing ghetto-wannabe attire: baggy, multi-pocketed pants that clung precariously to narrow hips and an oversized t-shirt.

I wouldn’t have given him a second look--nothing about his dreary clichĂ©d uniform merited special notice--but for what he did as he reached the shelter: He looked down and, self-consciously, smoothed out his t-shirt.

That little detail almost caused me to run a red light. Such fastidiousness was unexpected. He wasn’t like any of the legions of kids I see every school day outside the local high school. They are completely comfortable in their look, whether wrinkled or ironed.

This kid was trying for that “look,” but for some reason he still felt a need to look neat. Why? Was his mother’s complaint that he looked like a slob still ringing in his ears? Or did I misread his action totally, and he was actually just trying to get his t-shirt to hang even lower toward his knees? His choice of clothes told me he wanted to fit in. That one action told me that he really cared how he looked, and a lot more.

As you can see, one action was enough to jump-start my early-morning grey cells. It’s often that way: An unexpected detail--the speed walker stopping to pick up a quarter, the seemingly happily married coworker who shows up one day without his wedding band--sparks the imagination and before you knows it, a story is a-borning.

Finding the right details that makes fictional characters believable creations is not easy. At least for me. Only recently did I come up with a detail that helps describe one of my characters--and the fact that I can use that detail as a clue makes it all the more valuable. As for my other characters, some have endearing, memorable (I hope) quirks--one 70-something neighbor wears hand-knit shawls even on the hottest summer day--some don’t. Not yet. But I’m working on it.

The kid at the bus shelter has given me an idea I think I can use to good effect. In the meantime, I’ll keep looking.

(It’s only appropriate that I saw this kid where I did. Telling details abound in neighborhoods in transition. There you’ll find a vibrant, boisterous mix of people, as the community makes the transition from hard-scrabble, worn-out blue-collar to energetic rainbow-collar--artists, techies, gays, old-house renovators and young professionals and the shops and restaurants that cater to them. Check ‘em out sometime.)

Monday, June 23, 2008

STUDENT HOUSING

  • by Gina Sestak

    Those of you who have been reading my blog posts over the past year or so know that I made it through college by working menial jobs and doing things like selling blood plasma to survive. I haven't mentioned, though, what that survival sometimes entailed. I'm talking about student housing.

    Many people think student housing means dormitory rooms. I could never afford to live on campus. My student housing was "off-campus housing," a euphemism for slum, akin to the living conditions experienced by Richard Papen in The Secret History.

    This came to mind because student housing has been in the news recently; the City of Pittsburgh is finally cracking down on landlords in the Oakland area (near my alma mater, the University of Pittsburgh) who rent substandard fire-traps to students.

    I first moved into off-campus housing in the middle of my freshman year. I had been living at home and commuting but, as I've mentioned in previous posts, my parents opposed my going to college, so home was not a haven. Between the long walk to the long bus ride to school and work and the constant noise at home that made it impossible to study, I found myself having to make a constant conscious effort not to scream and beat my head against the wall. Instead, I moved in with some people I'd met through the anti-(Vietnam)war movement. I was eighteen.

    These folks had a six-room apartment above a large garage, which meant that I got my own bedroom. We all shared a kitchen and bathroom. The furnace was broken -- no heat in January! -- but the price was right. The $75/month rent split between us came to $12 each. And it was an easy walk from campus, only two blocks from my work-study job.

    Alas, that only lasted for a few months. I moved to a one-room efficiency with one of my roommates, Audrey, in an old square yellow building about a 20-minute walk from campus where the hallways always smelled like old soup and the rent cost us $30 each.

    We stayed a few months, then moved to another room in a house that had been converted to apartments. I began to paint a forest mural on our wall and became friends with the art students who lived on the first floor. We would sit in their kitchen and watch them shoot up -- anything they could get through a hypodermic needle. A police raid prompted the landlady to insist that everyone move out, so some of us moved into a one-bedroom efficiency. There were five of us living there. We shared a bathroom with two other apartments. And the users continued to shoot up in our little kitchen. There was usually too much commotion going on to sleep, but I was going to school full time and working, so I didn't really have time to sleep anyway.

    From there, for the first time, I moved to a place by myself, a sleeping room in the same house that had been raided. The landlady didn't know I was moving back in because I'd made the arrangements with her husband. When she realized who I was, she left me a note telling me not to let any of the other people who had lived there before come to visit and DON'T PAINT ANYTHING. I lived there for several months, sharing my room with a mouse to whom I fed cracker crumbs.

    Then I heard about a cheaper place, and so I moved. A Pitt bookstore employee had rented one floor of a house, and I could get a sleeping room plus share a kitchen and bathroom for $33 per month. By then it was winter again, and once again I found myself living without heat. The water froze but, luckily, the apartment was close enough to Chatham College for me to use their bathrooms in an emergency. Otherwise, I pretty much lived at Pitt, taking showers in the gym locker room and washing up in ladies' rooms. In the spring, the landlord forced us to move out -- apparently, the guy I was subletting from had been supposed to pay the gas bill. Oh, and this was around the time I acquired a cat, Jorma, who would get under the blankets with me to keep warm.

    This blog is getting longer than I intended -- I've only covered a little over one year, but I think I'll save the rest for another day. I guess it's a good thing that the City is cracking down but, in a way, I hate to see the cheap crappy housing go -- where else can poor students afford to live?

Friday, June 20, 2008

To Seek New Worlds

by Cathy Anderson Corn

Recently, an MSNBC news article riveted my attention, for it told of Amazon Indians in Brazil who were "uncontacted." Photos showed two men painted bright red in loincloths looking up at the aircraft, ready to shoot arrows at it. Which makes you wonder, did they think the plane was a UFO? Did they imagine aliens had come to take them away? Better yet, did they perceive the object in the sky as a big bird? ("I could feed the whole village for a year if I bag this one. Shoot hard and far, boys.")

This tribe is endangered by illegal logging in the area, which reminds me of the prime directive on the old Star Trek series--to not interfere with other societies. Get this, too--there are one hundred uncontacted tribes in the world. How do they do it? How do they stay isolated in their microcosms, mercifully unaware of antiperspirants, liposuction, computers, big screen tv's, suspension bridges, and convenience stores? Medical care is the part I'd want to share with them, but maybe they have shamans or herb healers. Maybe they chew on leaves from plants when the arthritis kicks in. (Maybe they don't get arthritis.)

The notion that we're somehow better or more civilized has plagued men and missionaries for centuries. Could they be complete as is, living close to nature? Margaret Mead studied tribes and found some where the adults were loving and took care of each and every child as their own. A part of me harbors the urge to contact the uncontacted, to learn from them rather than to teach.

This brings me to a writer's perspective on all this, where I find myself part of the uncontacted tribe of publishing. I'm here in my world, aware agents, editors, publishing houses, and readers exist. Instead of a bow and arrows and loincloth, I've a pen and yellow legal pads, and a computer in my bedroom where I hang out in a T-shirt and sweats writing novels. I don't peer skyward, but into the mailbox. It's out there, something bigger and grander, and I wait to be contacted. (No, I haven't sent anything out lately, but still...)

I'M HERE! GO AHEAD AND CONTACT ME!! I KNOW YOU'RE OUT THERE, SO DON'T BE AFRAID!!!

(You contacted writers are welcome to tell your stories of how contact affected your tribe. You uncontacted are encouraged to share your tales of isolation from the publishing community.)
HAPPY SUMMER SOLSTICE!

Thursday, June 19, 2008

Picture Day

by Jennie Bentley.

All right, so I’m cheating a little. When Joyce contacted me yesterday to ask if I’d be willing to blog for her today, I don’t think her intention was for me to post a picture and leave it at that.

Still, I’m neck-deep in revisions for DIY#2, which is due to my editor at Berkley Prime Crime next week, plus I got home from Norway to find that my book at long last has a cover, and the opportunity is just too good to pass up. And this way, I can keep that post I have in reserve – the one I didn’t get to use last time, because I was tagged for the chain blog thing – for another time.

So whaddaya think? Gorgeous, isn’t it? The fact that the cat doesn’t have a shadow is a little disconcerting – makes it look like a ghost cat, when it’s really just your garden variety Maine Coon – but you probably wouldn’t have noticed that if I hadn’t pointed it out, right? And the red paint paw-prints are nice, too. Even the wrench looks vaguely sinister...

And just in case the cover itself isn’t exciting enough for you, there’s the fact that the book is now available for preorder on Amazon.com. That’s how I found the cover, in fact. Googled myself. Pitiful.

If you order it now, they’ll send it to you when they get it. At only $6.99 – 336 pages, folks! – it’s a steal at twice the price, and it’s available for Super Saver Shipping on orders over $25, so if you buy four copies, Amazon will send them to you for free. Your friends will thank you. So will I. And because it’s a mass-market paperback, it slides easily into the standard Christmas stocking. With a release date of November 4th, it’ll be delivered just in time for the holidays, too! In fact, if you buy one for every person on your Christmas list, from Aunt Annie to Uncle Zeke, you’ll have finished your Christmas shopping six months early and you won’t have to worry about it again.

OK, that’s enough BSP for a while. My job here is done. Unless someone tags me before then, I’ll be back on my regularly scheduled day, which seems to be July 4th. Huh... We can make it another picture day if you want. I’m sure you’re all dying to see photographs from my vacation.

Till next time!

Wednesday, June 18, 2008

What was I thinking?

Episode 1

By Annette Dashofy

I have a structural defect in my brain. Whenever I’m confronted with the prospect of taking on a new responsibility—one that takes place six months or a year from now—I gleefully accept the challenge. After all, it isn’t happening NOW. The future seems so far away. And, I dunno, maybe I expect the world to come to an end before it’s time to actually do anything about the new responsibility.

A little over a year ago, I did it again. On the final day of the 2007 Pennwriters Conference, I volunteered to head up the 2009 Conference.

What the hell was I thinking?

The 2008 Pennwriters Conference is now listed in the history books as the most successful one ever. Nothing like a little pressure to perform.

But still, the event is eleven months away. I have lined up Lisa Scottoline as our Friday night keynote speaker. Local favorite Tim Esaias will be our Saturday lunch keynote. John Lamb and C.J. Lyons are on tap as special guest speakers. Hey, I’m ahead of the curve here!

Or so I thought. Then came (cue spooky organ music) the grant application.

I was given the news last Thursday that I needed to gather a long list of detailed information on the conference in order to apply for a grant. And I needed it by Monday. Not wanting to be responsible for losing a shot at free money, I scrambled. For ten hours on Saturday, I sat at the computer pulling rabbits out of hats and spinning straw into gold. These were details I thought I still had months to leisurely work on. Months. Not days.

With the help of our Pennwriters president and the 2008 conference coordinator, the information and numbers for the budget were neatly compiled and presented to our treasurer.

Then I learned that since it appears that we stand a pretty good chance of not losing money on the project, we don’t qualify for the grant. It seems we did too good of a job of budgeting.

Which is good thing, I think.

Ah, well, the work wasn’t all for nothing. I am now even further ahead of the curve. I can almost relax and breathe. At least until the next fire drill.

Stay tuned.

And mark your calendar: 2009 Pennwriters Conference: A Writer’s Tool Chest takes place May 15-17 at the Pittsburgh Airport Marriott.

Tuesday, June 17, 2008

Ye Olde Family Reunion

By Martha Reed

People often ask me where I get my story ideas and I tell them that mostly I craft them together from the bits and pieces I overhear at cocktail parties, or from something I hear while riding on the bus, or from an earlier experience in my own past. Sometime folks think that I base my characters specifically on them, and I can honestly say I never have, but it is true that a personal idiosyncrasy or two may work itself into a character I’ve already created if it fits into the previously established outline.

There is one other source for my gift, and I got a huge dose of it this weekend: it’s my family, and we celebrated our family reunion on Flag Day, June 14th, 2008. It didn’t hurt that the reunion was held in a big, spooky old house full of ancestral ghosts with grim black and white portraits staring down from the walls while the lightening crackled outside the long casement windows and the rain poured down in buckets. It was pure Agatha Christie or just like the opening credits of the PBS Mystery series.

One of my cousins retired last year and the real treat of the event was an eight generation family tree she created. You may scoff, but let me tell you once you get into studying the lines and tracing the descent, the stories come out. I was afraid folks would get bored and stand around, but it was standing room only in that conference room where the chart was laid out. It’s human nature to try to make connections – even where none exist – and I pulled up a chair and let it go, listening to Aunt X reminding everyone that her great-uncle disappeared to Texas at the turn of the (last) century and how he took the family recipe for sour-mash whiskey with him or that Cousin Y traced her descent back to a Puritan minister’s wife taken captive during Prince Philip’s War. (I had to look that one up, anything before 1776 is pretty sketchy, I had a public school education). We’ve got bankers and bootleggers, schoolteachers and ministers, and a couple of pretty good painters. But it’s the faces in the pictures that haunt you.

Another cousin brought in a garbage bag of old photographs from his mother’s estate, and for the first time I saw the faces of some of these people. In particular, there’s one picture of six sisters – six! – ye Gods, I can barely contain my own two. They are all fully mature women, and you can see the life written on each one of them. I’ve seen pictures of these women as girls, all young and fresh, but this photograph is different. One woman, a widow, lost her young husband at Antietam and you can still see the sorrow in her eyes. She also has the most carefully dressed hair, all severe part and tight curls, and I don’t know what that means or implies. The youngest sister, still in her twenties, is smiling into the camera, but I know her future, too: her husband will turn out to be difficult and her only child will die at a very, very young age. I’ve seen the grave.

So where do the stories come from? I think they come from having a sympathetic character and a disciplined, trained imagination. I can see a photo, or a perfect setting, and turn my focus on it, and something begins to stir. Sometimes it’s a feeling, sometimes an image, and honestly, sometimes it doesn’t work out and the idea flickers and dies. But every once in a magical while, the story gets stronger, and little connections get made, and they link to bigger ones, and then some detail from my memory creeps in and fills a small gap, or I hear a perfect bit of dialogue, and I write it down, and then one bright and marvelous day the story stands up and totters on its own like Frankenstein’s monster, and it’s alive.

Monday, June 16, 2008

Behold the Breath of Angels


by Brenda Roger


If you find yourself in Pittsburgh, Pennsylvania, try to peek into the Frick Art Museum. Directly across from the entrance, there is a gallery with red brocade walls that we call the Italian gallery, even though several works within it are of other origins. During your visit, be sure to pay particular attention to the floor case in one end of the room. You are in for a transforming experience. The diptych by Jean Bellegambe has returned from its trip to Washington DC and Antwerp, and is now displayed standing so that the third painting, on the verso of the right panel is visible.

The image is of a nun identified as Jeanne de Boubais, who served as abbess of the convent at Flines, from 1507 to 1533. It is unclear if Jeanne de Boubais commissioned both the interior panels of the diptych as well as the verso portrait, or if the portrait was added to an existing diptych. The painter, Jean Bellegambe, is listed frequently in the account books of the convent at Flines after about 1509, suggesting a relationship between the painter and the convent.

Jeanne de Boubais presided over the Cistercian convent in northern France at a time of reform amongst the monastic communities. There was an effort to reinstate cloistering and personal poverty as essential elements of monastic life. Recent scholarship suggests that the image on our diptych was deliberately formulated to convey the devotion of Jeanne de Boubais and her sisters to the reforms. Jeanne de Boubais is shown kneeling before a monstrance and an open text, and holding a crozier, which symbolizes her authority over her convent and its compliance with the reforms. The cloth draped on the altar is embroidered with the words “Ecce panis angelo[rum]” which translates to “Behold, the breath of angels.”

Saturday, June 14, 2008

They Call Me "The Wanderer"

by Brian Mullen

By the time you read this, I'll be a driving fool (more so than usual)! My goal is to be on the road between 6 and 6:15 a.m. I am driving to Rochester, NY for work. This has become my norm.

In the past three weeks or so, I've been traveling all around the middle and western sides of Pennsylvania: York, Carlisle, Huntingdon, Tarentum, Oil City to name just a few. My assignments have been long hours on my feet and usually third-shift work. I've worked the past two weekends and have some nice overtime paychecks as compensation.

Because my "free time," such as it is, on these assignments has been mostly consumed by work with answering voicemails, e-mails and shopping for supplies for each night's work, writing has had to take a back seat for near-on a month. I miss it terribly.

The upside is that the multiple consecutive-hour excursions in the rental cars have allowed me to revisit my audiobook collection. Rochester, for example, is 5-hours each way so I can work in one unabridged novel or perhaps two abridged novels. I think my traveling companion this trip will be Brad Meltzer's "The Millionaires."

Yikes! I just looked at the clock and I need to get my butt in gear. Good morning to all and don't worry about me, I'll be doing something I enjoy - reading with my ears! Ciao!

Friday, June 13, 2008

What Doesn’t Kill Us…

by Lisa Curry

Back in February, I blogged (perhaps “bragged” would be a better term) about my what a great housewife my unemployed husband made and how I had it made like a 1950s husband.

In March, Mr. Curry found gainful employment, so I had to resume taking care of some of the domestic duties around our household, such as grocery shopping, laundry and getting the little Currys fed and on the school bus in the morning. But still, he picked up the kids from their after-school sitter and handled the homework and pet feeding before I got home from work, so things weren’t so bad.

This past Saturday Mr. Curry left for a three-week business trip to his new employer’s headquarters in Germany.

Frankly, I don’t know how single parents who work full-time survive, because the first five days of this are killing me. My life is a blur from the moment I get up in the morning until I drop into exhausted sleep at night.

Feed the kids breakfast, rush them off to the sitter’s with their sports gear and packed lunches for sports camp, fly to work (which feels like a respite from stress these days, and that’s saying something), rush home to pick up kids, take care of pets, cook dinner, wash dishes, pack lunches for tomorrow, referee sibling squabbles, make sure everyone takes a shower and brushes teeth, fall into bed.

You might think Mr. Curry is having the time of his carefree, child-free, pet-free life in Germany, but you’d be wrong. He’s a homebody, and he doesn’t speak any German at all.

Nor is he an adventurous eater. He was convinced before he left that every meal served in Germany would be smothered in sauerkraut, which he detests, and that he’d starve for three weeks. Instead, he’s discovered that he can always order good pork or beef (sans sauerkraut) served with fries and a salad.

Alas, he can’t eat fries without ketchup, and the Germans in Hofheim, where he’s staying, only have Kraft ketchup – disgusting, he says. Not a bottle of Heinz, the only ketchup worth eating in his opinion, to be found. Further, they pile clover on top of their salads.

“It can’t be clover,” I said. “Cows eat clover. I don’t think humans can even digest it.”

“Well, it looks like clover,” he insisted. “And they put a whole pile of it on there. They even put a little bunch of it on my pork chop last night as garnish.”

I think it’s watercress, but it might as well be clover, for all he’s going to eat of it.

He can’t watch TV other than British CNN, which is the only English-language station on the hotel television, and all they talk about on there is South Africa, he says.

So for entertainment, Mr. Curry, who reads nothing but car and motorcycle magazines, is now reading books – novels I, his beleaguered wife, lovingly hand-selected with great care for him from my overflowing bookcases. He finished the first the other day and has now started on the second, Walk Two Moons by Sharon Creech, a particular favorite of mine.

“Who’d have thought reading a book would ever become the highlight of my day?” he asked on the phone today.

Who indeed?

When he gets back from Germany, I’m going to curl up with a good book for an entire evening and let him deal with the kids, the pets and everything else.

That thought may just be enough to keep me going for the next sixteen days...

Thursday, June 12, 2008

Just A House Fire

by Doug Cummings

They say write what you know.
I know some weird stuff, I guess. . .

It was just a house fire. I went because it was six blocks from my house and nearly Christmas. I was a reporter for one of Chicago’s all-news radio stations and if decorative lights were the cause, that had story potential.

Other than a little smoke and a couple of hoses trailing into the building, there wasn’t much to see. I asked a neighbor across the street what was up. She’d noticed smoke pouring from the roof. No flames, just smoke. She called 9-1-1. Didn’t know if anyone was home. A very low key fire, I thought. Probably not enough damage to be newsworthy.

I asked a cop if there were any injuries. Standard reporter question. I expected the usual, “You got to talk to the Commander.” Or, just a, “No.”

Instead, he ordered me to get back in my car and leave. Weird. I saw no point in arguing that you can’t kick a reporter out if you let all the other civilians stick around. I headed for my car but wound up across the street, standing with the neighbors.

That was when I thought I smelled gasoline. Five minutes later, the first of the detectives showed up. Another fifteen minutes and who should appear but both the police chief and the fire chief. To a simple house fire? I knew the police chief. I asked him the same question I’d asked his officer. He said, “Nope, just the fire. Nobody hurt. No news here. You can go on home.” We had a history. I didn’t believe him.

A house fire with the smell of gasoline strong enough it reached my nose across the street. Detectives and both chiefs at the scene and more detectives arriving. Only one part of the cast was missing. I called a friend in the coroner’s office.

Shortly afterward, I went on the air with the first report about what turned out to be a torture murder/arson resulting from a homosexual love triangle.

The confrontation with the cops and the secrets they tried to keep started me thinking. Coincidentally, weeks later, home invaders hit my aunt and uncle’s house looking for valuable art. All they found was an elderly housekeeper but they beat her to death. I suddenly had my opening scene. Then I covered the search for two murder victims in a river under a bridge. And found the book’s title, Every Secret Crime , as part of a Ralph Waldo Emerson quote hanging in a detective squad room.

Every Secret Crime is fiction. But it sure feels real to me.

Doug has been shot at, driven cars at 110 miles per hour, arrested criminals and been in some hellacious fights. And it's safe to say that all of these adventures, while moonlighting as a deputy sheriff during college, prepared him well for his life's work as one of Chicago's finest crime reporters and author of the highly acclaimed Reno McCarthy crime novels. Doug began his twenty-five-year broadcasting career as a television investigative reporter before discovering his passion for the immediacy of news-radio. He worked as an anchor, reporter and talk-show host in Kansas, Missouri and downstate Illinois before settling in Chicago. In more than seventeen years as a crime and breaking news reporter for the former WMAQ Radio and then WGN Radio in Chicago, Doug received awards for his coverage of dozens of stories including murders, train crashes, fires, school shootings and tornadoes. His reports have been heard on every major network. Doug lives in suburban Chicago with his friend and colleague, Socks-Monster, the feline action-hero, who recently received rave reviews for his cameo role in Doug's second novel, Every Secret Crime. They are currently hard at work on Doug's next book.